BRESCIANELLO PARTITA PDF

Long ignored by musicians and historians alike, Giuseppe Antonio Brescianello in actuality was a significant figure in music history. His activities as a composer may be placed in the transitional period between the baroque era and classicism. His works bear the sign of this ongoing transformation and contributed to defining the new style. This work, though directly derived from the style of the baroque lute, is permeated by that same spirit of discovery found in the afore-mentioned Concerti.

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Long ignored by musicians and historians alike, Giuseppe Antonio Brescianello in actuality was a significant figure in music history.

His activities as a composer may be placed in the transitional period between the baroque era and classicism. His works bear the sign of this ongoing transformation and contributed to defining the new style.

This work, though directly derived from the style of the baroque lute, is permeated by that same spirit of discovery found in the afore-mentioned Concerti.

Here too, the formal construction is typically Vivaldian and is generally obtained by means of joining, repeating and freely varying phrases and motifs. The formal cohesion is thus guaranteed by this strict juxtaposition, while the frequent use of harmonic progressions allows the musical discourse to develop. The cantabile melodic lines, which allow one to identify precisely the various voices of the instrument in a dialogue involving both themes and timbres, is reminiscent of the concerto grosso.

Skip to content. Track list. Your Rating: Saved 1 2 3 4 5. Organ Music for the Liturgy and for the Concert. Flute Concertos, Sonatas, The Devil's trill. Il Primo Libro di Capricci, Roma Fiori Musicali, Venezia, Chamber Music. Sacred Works. Transcriptions and Paraphrases from Verdi Operas. Piano Works. Songs for voice and piano.

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