MAKING AND BREAKING THE GRID TIMOTHY SAMARA PDF

Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applies to real-world projects. Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice. Great to get some ideas on how to layout your own grids. The history sections were way too dense to read.

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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :.

Thanks for telling us about the problem. Return to Book Page. For designers working in every medium, layout is arguably the most basic, and most important, element. Effective layout is essential to communication and enables the end user not only to be drawn in with an innovative design but to digest information easily. Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively bre For designers working in every medium, layout is arguably the most basic, and most important, element.

Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applied in real-world projects. Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas.

Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice. Get A Copy. Paperback , pages. Published May 1st by Rockport Publishers first published January 1st More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up.

To ask other readers questions about Making and Breaking the Grid , please sign up. Be the first to ask a question about Making and Breaking the Grid. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Mar 12, michaelben rated it liked it.

I am not a designer. But I sometimes have to play one at work. The first part provides a very quick overview of the history of the grid, which was interesting on its own. This did help in later sections in the discussion of specific layout and design examples. The last section covered working outside of the grid concept under the premise you have to understand the rules before you flout them.

I would I am not a designer. I would be surprised if this book was of value to a trained professional. It seems more appropriate for a lay person with a general interest or specific need.

I am certain my work was better for having used it, and it will stay on the shelf for future reference. Sep 07, Serith rated it it was amazing Shelves: art , non-fiction. When I first signed up for Graphic Design in college, I did not really know much about typography, nor did really I get it when teachers tried to explain.

This proves how you can follow rules and think outside the box. Beautiful and inspiring book. I wish When I first signed up for Graphic Design in college, I did not really know much about typography, nor did really I get it when teachers tried to explain. I wish this were a textbook in our class and not just one my teacher lent me. Aug 19, Chris Beiser rated it it was ok. Majority of the examples are prissy and disrespectful to the content. Very little information on treating tabular data or on readability; most pages are treated as compositions rather than communicative media.

Theoretically and practically shallow. Dec 16, Erika Mulvenna rated it liked it Shelves: art. This book makes an effort to demonstrate how grid systems are used to organize information in print, and how you can break away from the grid to create more interest. The book includes an interesting but brief history lesson about "the grid" in publications, but it's not as in-depth of a book either in information presented or in offering skill building exercises as I had hoped. What this book does do is show through multiple examples taken from real publications how a grid is used to organize in This book makes an effort to demonstrate how grid systems are used to organize information in print, and how you can break away from the grid to create more interest.

What this book does do is show through multiple examples taken from real publications how a grid is used to organize information on a page, both in a traditional and non-traditional way. Jan 20, Alex rated it it was amazing Shelves: design , list. Tremendously helpful text for all designers, particularly those unfamiliar with the historical evolution of the grid.

Samara's framing chapter about the Machine Aesthetic, Constructivism, the Bauhaus, the Basel School, and the Corporate Grid is particularly well-written and useful for designers to consult and internalize. While Making and Breaking the Grid was written to be used primarily for designers working in print, digital designers will gain a lot from reading it. Indeed, I am highly tempte Tremendously helpful text for all designers, particularly those unfamiliar with the historical evolution of the grid.

Indeed, I am highly tempted to start rendering Sketch symbols for each of the grids Samara points to, if for no other reason than my own desire to see just what a nonorthogonal grid deconstruction would look like in browser.

Oct 09, Roger rated it it was ok. This book has an extensive gallery of projects for comparison's sake, but very limited instruction and some history which goes by too fast and too much like a parade of facts to possibly sink in. The commentary on the projects never offers any additional insight that could be gained by interviews with the designer or anything further than what's visible to the attentive reader.

Good to flip through, but I was looking for more of a manual on good grid practices. Oct 15, Kieran rated it did not like it. Dont believe the hype. This book tries to show you too many things in too little space. The accompanying text for individual examples tends to be too shallow and descriptive, it would be much better off with fewer examples and more in depth case studies and a bit of critical reflection.

Furthermore the examples in Breaking the grid section did not age well. The feel of the digital postmodern anarchy in the designs is almost tangible. There are a few good ones but the typographic structure of majority of them is questi This book tries to show you too many things in too little space. There are a few good ones but the typographic structure of majority of them is questionable at best.

Oct 26, Mauricio Villamayor rated it really liked it. Samara's book gives the reader a comprehensive historical context in which both grid base practices and deconstruction of the grid were developed. Aside from this critical information, the book fulfils its propose of understanding how grid works and also tries to categorise deconstruction practices, which is more than useful for people that already know how to use the grid but try to challenge their practices.

There are many books and online articles about using grids in design. Even fewer get into how to develop a grid, especially for book design. This book covers it all, with multitudes of examples. Highly recommended for any designer.

Mar 03, Ravi Kiran added it. There are typos galore in this book. Just look at the back cover which is supposed to be very important - two typos there. Bad Hyphenation in captions, typos, bad choice of typeface creates splotchy commas, quotation marks and incorrect sentence constructions throughout the book - it all takes away the pleasure of reading.

Mar 15, Nathan D. Riggs rated it really liked it. Great design, beyond some of the text either being too small for my aging eyes or not contrasting enough with the background--which is something you'd expect a book on design to account for, but what do I know.

Still, worth a read, even with the requisite headaches. May 02, Ben Watson rated it really liked it. It does what it says it will do. It is a guide to grid systems and has page after page of example.

It could certainly delve deeper into theory and show how to use grids in your work like ', seeing them in action' but otherwise I can't complain, good book. May 27, Happy-wanderer rated it really liked it. Great for the beginner and intermediate design looking for clear writing with lot's of visuals on how to utilize grids in good design.

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Making and Breaking the Grid: A Graphic Design Layout Workshop

A grid consists of a distinct set of alignment-based relationships that serves as a guide for distributing elements across a format: where they may be placed; their height-to-width proportions; and, ultimately, the ease with which a viewer can navigate the layout. Choosing or developing a grid for a project depends on understanding these qualities, knowing what kinds of grids there are, and the possibilities for how type and images might interact within the structure. Control over layout parameters for screenbased design has come a long way since the Internet first came online in the mids. Today, designers have nearly the same facility for precision in Web-based layout as they do for print. A comfortably proportioned modular grid provides overall branding continuity and endless layout variations for Springer, a publisher of textbooks. The program uses a grid of modules that, unlike other grids of this kind, butt each other like a chessboard.

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Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design, but to digest information easily. Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applied to real-world projects. Basics include composing typographic space, format determination, and sequencing and systemization. Various types of grids manuscript, column, modular, hierarchical are also covered. Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Each project is shown comprehensively so readers can see its structure revealed over several pages, at a size that allows for inspection of detail.

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